Showing posts with label Dunedin. Show all posts
Showing posts with label Dunedin. Show all posts

Sunday, 24 July 2016

Fuzzed Out at Fuzzy Islands - Bozo, Astrochildren, Miss June

Bozo:



If your a fan of psyched out U.S college radio friendly music this band is for you. Yolanda (singer/drummer) and gang offered some trippy tunes their overall sound was accentuated with some tasty snare accents and singing processed through a phased chorus cloud of reverb. Guy also of The Echo Oh's played some concrete riffs and chords on rhythm guitar anchoring the whole group whilst demonstrating some impressive musical leadership. The younger guitarist in the band who plays with New Gum Sarn also threw up a collage of delectable lead riffs and scales that added complexity and shimmering colour to the bands sound. The musical rapport between the younger guitarist and Guy was obvious to myself in the crowd leaning on the pillar at Fuzzy islands. It's always a beautiful thing to witness two musicians in sync parlaying riffs off against each other adding to the bands high stakes performance. 


Another thing I liked about Bozo was the dedicated percussionist playing tambourine. By playing sixteenth and quarter notes on the tambourine as well as solidifying the backbeat on the two and the four this freed up Yolanda to play more toms and rolls while singing. The percussionist effectively eliminated the drummer from needing to play the standard rock drum beats and allowed her to play nice ride patterns and tribal patterns. I also thought Yolanda had a natural and well poised technique with even hitting that mad the drums sing, smashing the crap out of a kit can get rather boring and sadomasochistic. 


The bands first and middle songs of the set I found to be there strongest. One song that jumped out had a great dynamic guitar motif where the band would get louder for a certain refrain with an almost ear splitting ripping apart of the song by the musicians before being quickly super glued back together. I almost forgot to mention the young female keyboardist/singer/bass player who shared vocal duties carrying the band for certain numbers. I found the juxtaposition of to singers pretty kick ass as you would never know who was gonna sing the next song. I was also deeply impressed with the musical low end of the young female musicians bass playing. To sum up a raucous cacophony of buzzy music.

         https://www.facebook.com/weareBOZO/

         https://bozos.bandcamp.com



Astrochildren:



Hailing from Dunedin the windswept two piece were hanging on the walls of Fuzzy Islands pre-gig when I paid my door charge to see them. After releasing their first record on Muzai records they're and their latest release themselves they preformed a formidable set on the night alongside Miss June who played after them. When my friend and I skipped over the entrance to the gig people were still running late to the maxed out show so we dipped outside to get a drink and turned up a bit later. Our stamps were studiously studied for possible forgery and we again re-entered Fuzzy Islands. Dis-claimer this was my first time at said venue which I liked. After Bozo played DJs spun indie approved obscure records before Astrochildren tuned up and turned their lone amp up to 12 for a full on audio attack.


Astrochildren's drummer Izaak bashed on his cracked gold cymbals to make sure they were ready to give way for another night of RockNRoll torture, thankfully they were. Distorted feedback rang out throughout the room like a foggy mist with an amp fighting against lead guitarist Millie. Eventually the amp was seduced and dominated into submission and the songs flowed like a tsunami. My favourite two songs of the night were 'Boys Encourage Female Rivalry" discussing gender issues and feeling inadequate faced by the beautiful other as well as the new single on the 7 inch vinyl 'when you lose'. I always enjoy hearing lyrics from a feminine perspective and also know how Millie felt as men also struggle with identity issues and body dis-morphia. 


I firmly believe musics a sick art form to educate people about social issues, but sometimes it's good not to end up preaching to the choir. At one point I was almost overpowered by the volume of the Astro set and had to stand outside and get some fresh air while being splattered by rain. Eventually I sucked in my guts and went inside to finish off the gig. In all honesty I was stoked to see the droony uncompromising style of Astrochildren as I came away from their set knowing they had given everything they had on stage and feeling buzzed out that new Kiwi artists aren't afraid to be themselves 100%.


It's also pretty obvious now on reflection that Astrochildren are about jarring people and making them feel uncomfortable through music. They want to test your belief systems and the socially ingrained status quo that lives within every member of New Zealand society. Kinda like the first matrix movie I mean do you want to step out into the real world with Astrochildren surrounded by the heaving weight of social disparities or do you just want to sit on a chair and drink beers and not really give a fark. 

    https://www.facebook.com/AstroChildren/ 

   https://astrochildrenmusic.bandcamp.com


Miss June: 



After being an online fan of Miss June on the back of their debut E.P "Matriarchy" I was excited to see them play. I managed to make out the whole band in the crowd and it was sweet to see them supporting the other bands always a sweet move. Out of the corner of my eye I saw the intimate glances that the band members would do to each other like a platoon or a militant army psyching themselves up before storming the barricades of the packed house to rocknroll. For their first song they launched into a grunge blast beat after a showy musical flex of virtuosity in a pre-set warm up that I wish had been an actually song haha. Fanboy dis-claimer I also developed a great respect for Miss June's drummer and appreciated his lightning fast jazz chops and powerful as well as unique combinations behind the drums. 

The bands first song really started to get cooking when the guitar dropped with a snarl whipping crash driving the moshing crowd into unrestrained fury. The venue was pretty small for a circle of death but as the set progressed things started to get pretty hectic with myself trying to avoid another elbow in the stomach ones enough lol. The song that really sent people into hyper drive and caused the room to shudder was 'Clyde the Turtle' people were singing the chorus from the opening guitar twang and when the chorus dropped everyone went bezerk and the crowd turned into a raging horde of insanity, well you know what I mean. A guy i was next to moshing was dressed up in a classic punk outfit and he had a kinda of devilish vibe about him, I thought perhaps he was gonna go stir crazy but surprisingly he was quite civil and well behaved in the crowd. 


Andrew from Die Die Die was also halfway up the stairs hanging through the rafters filming Miss June which was cool to see and made me thought man everybody's a director these days and the film is well our lives haha. Their was also a bit of funny banter from lead singer Annabel Liddel as she explained how basic her guitar part is for the song 'Clyde' plonking one string with a laugh. If I can remember the band played an encore with Annabel doing a post-mint chicks unstable vocal delivery on amp after losing her black beret and the set ended. Many people wanted more music but fark'em sometimes you get what your given laughs and have to flog that shit on trade me. 


  https://www.facebook.com/missjunenz

http://missjune.bandcamp.com/ 

Friday, 8 April 2016

Swaying like Daisies with Kane Strang in Whammy's Backroom



So I was off topic at uni when I saw that Kane Strang was playing at Whammy bar in the back room. Capacity was set to 100 people so I quickly stopped what I was doing reading some bullshit about Kant's theory of morality and booked two tickets. My French Canadian friend couldn't make the show so I rolled along to the show with my dad who loves music too although a man of the law.

 We actually turned up really early at 8.50 pm, foolishly thinking the show would have run on time, things never do haha I took some photographic images in my mind of the merch table got ticked off the list by the swag Mermaidiens who were also preforming releasing their new record ...
the reminded me off how much I love Wellington the city that stole my younger brother from me but Wellingtonians sure have a great sense of humour  cool accents and a lightness to them. It's probably the wind that makes them the way they are, which is terrible if your a guy with long hair you look like a right idiot fighting your hair so that you can see walking down Cuba st haha!) All the maidens t-shirts looked glistening and beautiful and their vast selection of stickers were creative colourful and trippy.

To burn some time me and the old man went next door to the Winecellar and had a quick drink.
I saw two of the guys in the talented band New Gum Sarm helping behind the bar, and since I am not drinking (makes me sound like a seasoned alcoholic haha please no alcohol in that drink!) being sober does actually have its perks believe it or not NZ as you can usually score free drinks every now and then if the bar staff like you ;) Naturally I played it safe with a Lemon lime and bitters and was very impressed with the scale of the drink that only cost a measly $4 the sprite or whatever it was in it seemed a bit flat though, made me sad for a second then I hooked into it. My dad lived dangerously and scored himself a Fejoa cider that tasted like there'd been some bad fejoas in the brew, there's always one. He couldn't finish his drink so I had a few gulps (I can drink less than one standard drink a day yolo) I actually felt pretty wasted walking up the arcade stairs to see Kane Strang preform, I joked to dad how we swede super sober and then come back to a gig ten minutes later wasted, with people wondering what the hell happened. Dad had a good laugh "three gulps of Cider and I'm wasted

In the newly renovated Whammy (aka one flea bomb later ;) we took a seat at the back of the room and let the edgy dangerous millenials of Auckland fill up the room. The coal black room started to swelter and heave with the people cramming in like sardines, standing room only. Out of my right eye I saw Kane slip through the crowd like a deadly camouflaged snake and head straight to the bar pushing through punters with a decisiveness that conveyed this is a man who knows what he wants. A very good thing as being assertive is a great character trait which I believe is reflected in his floating woozy music that conjures up pictures of flowers swaying in the Dunedin landscape, and yes thats what he wants you to hear! :)


Dressed in a yellow jacket and wearing a shirt with a t-shirt underneath Kane lead his band mates to their places and proceeded into flying death roll of a rendition of "She's So Appealing" with a direct almost grunge aesthetic that felt loose and visceral. The drummers arms rose high and sung across each part of the drum kit like a virtuoso, the lead guitarist loyally played all Kane's melodic lead lines over the rhythm guitar with the bass player looking and playing like a man fresh out of prison with a new lust for life. Kane was the Steve Job's of the band literally playing through all the members like conductor playing an orchestra by simply guiding them with soaring vocals and beautiful glimmers form his much loved electric guitar. The song's of the set blend together from the first song and the happy couple started kissing and all the people in the room morphed into one psychedelic blob of tripping matter bouncing together. Before you knew it the band were preforming their last song "Magnolia King" that really was the cherry on top for a sweet sundae of a show that transcended the crappiness of the world, thank god for Dunedin.






Thursday, 16 July 2015

David Kilgour and The Heavy Eights - "End Times Undone" - The Jangly Happy RockNRoll Dunedin Sound

I found myself recently flicking through the latest Phantom Billstickers Cafe Reader "Have as Much as You Want" Volume 6 the super ice cold Winter edition and found myself studying the new David Kilgour and The Heavy 8's awesome trippy album cover for "End Times Done". Wow who does that hand belong to God, is the fire symbolic of a happy camp fire or mans ultimate destruction, does that phallic object belong to someone haha.

Jokes aside I read the article on Cleaner brother in arms Hamish Kilgours new music making and cutting old school vinyls for an American and low and behold I decided to check out some of the oldschool flying nun stuff on Youtube, the filthy old 16mm clips are great, they are so pre-youtube youtube class great tunes Kiwi history totally!

Anyway I was surfing around in the Google owned music quagmire and rolled across all the great classic songs from the Clean and the Verlaines, gush Dunedin sound those good old Dunedin sound days so innocent just enjoying being alive in the post war baby booming times (bad math give or take some decades. Well I got listening to the new album by Kilgour and Eights and give it a thumbs up nice one kick ass punch in the balls. It's got chills, its got spills, RockNRoll with such a lack of ego in the music you just end up floating round in the cold Blue Auckland Winter night sky.

 

Thursday, 16 April 2015

The Moss Rock Show - Episode 2 (An eclectic Kiwi music podcast spinning the best tunes around)

The Moss Rock Show - http://themossrock.blogspot.co.nz
An eclectic Kiwi podcast spinning the best tunes around!













Rough Church - Grandeur 
https://roughchurch.bandcamp.com

Kane Strang - So Appealing 

The Leers - I Can't Cope 

The Kaleidoscopes - Cross Street 

Esther Stephens and The Means - Heartbeat (feat Hone Be Good)

Louis Baker - Just Want To Thank You (feat Jordan Rakei) 

Mel Parson - Good Together 

Charlie Freak - Being so Bitter

God Bows To Math - Oppressor vs Oppressor

Rackets - Wash Your Brain Out

Drop Dead Red - Warm Peach Fuzz 

Get Well Soon - Hold On (feat Loui the Zu)

No Rights Reserved 




Cause I'm a man, woman
Don't always think before I do
Cause I'm a man, woman
That's the only answer I've got for you ~ Tame Impala 





This song is an out of this world tour de force through a cosmic Australian audio universe! 

Wednesday, 31 December 2014

The Neo-Kalashnikovs - Drama Queen (Live at Debase Studio)



We recorded a live performance of "Drama Queen" at Debase Studio & Music Centre in Morningside, Auckland: www.debasestudio.com/

 They offer two great rehearsal spaces and an awesome atmosphere to practice music in. If your interested check out their website in the link above.

Also we tried to record Volita's vocals live but we couldn't get them loud enough in the mix compared to the other instruments in the recording so we did some over dubbing in our Bathroom the next day! haha 


"Drama Queen" music and lyrics by Volita Bioletti 
Directed and Recorded by Jeremy Bioletti 
Mixed and Edited by Moss Bioletti 

Tuesday, 23 December 2014

The Neo-Kalashnikovs - Vox365 Interview on the New Zealand Music Scene


Vox365 - The Neo Kalashnikovs from Geraldine Clermont on Vimeo.

Celebrating Cultural Diversity & Helping Arts in New Zealand
VOX365NZ celebrates diversity in the arts by looking at the unique relationships creatives have with their art, cultural identity and community in NZ. VOX365NZ is a platform for creative collaborative spirit. Our aim is to achieve the following:

1) To discover underground creatives in New Zealand and create a platform where “established” and upcoming or underground artists can collaborate and exchange ideas, experiences – and possibly create something new and fresh.


2) To use multiple mediums to create a platform for creatives to showcase their work.


3) Create a useful and timely piece of knowledge that continues to evolve and share insight into the range and diversity of creatives in New Zealand.


4) Conduct a social research project to understand creatives’ relationship with the arts, and how their various cultural backgrounds may situate their position to practicing their art forms.


5) Promote cross cultural understanding by celebrating diversity in the arts.


6) Spark dialogue and initiative for artists to take progressive stances against community and social issues such as the problem of child poverty in New Zealand.



Saturday, 6 September 2014

Thanks to Phantom Billstickers and The Fold NZ for helping support The Neos NZ Rock Tour


Picked up a copy of The Fold last week and was super stoked to see The Neo-Kalashnikov and Southies tour poster up in the mix. Big thank you to Phantom for helping support local NZ music and the Fold for being brilliant. Still want to see the image of us that you drew when you were taking the mickey out of us haha gotta have a laugh :) Rock On Moss

Gig Details:
http://www.undertheradar.co.nz/gig/40744/The-Neo-kalashnikovs-The-Southies-and-more.utr


Monday, 11 August 2014

The Neo-Kalashnikovs - "Diamond On Your Tongue" South Island Rock Tour


Hey guys just wanted to share with you The Neo-Kalashnikovs official poster for our South Island tour, We will be playing in the main centres of Christchurch and Dunedin this time. We are really stoked to be coming down and rocking out with you and the shows are free so anyone can rock up on the night so bring your friends haha :) We also have two very talented young bands supporting us at each date Born Broken and Sunshine Hotel and are stoked to be rocking out with them in their respective centres!!

Facebook Event: https://www.facebook.com/events/788023051241828/?ref=22

The set list will be out soon of the songs we will be preforming and if anyone wants any specific song played def get at us via Facebook or theneokalashnikovs@gmail.com  I haven't seen Christchurch since we played their last and really hope the rebuild has being going well. Perhaps if their is a change in government progress will be faster, or maybe the one right now is getting the job done!! hopefully :)

 If you don't know much about the venues we are playing they are really kick-ass and have some great NZ music history. They will also be very intimate shows and we are always keen to chat with people who like our music or just music in general. I listen to heaps of different types of music and always like listening to music that I would never discover if left to my own devices. Anyway hope you like the poster and will fingers crossed have these out across both centres with Phantom postering soon.

Rock On from The Neos

p.s - we will be in the studio finishing off an indie recording of our song "Mean Things" and then sending if of to the states for mastering so stay tuned. It will be available at our shows so come along!

  Stream and Download for free our Rock single "Turn the Tables" as heard on Radio Hauraki FM :) 

Tuesday, 28 January 2014

PREMIER: Cure Motel - "Do It Your Own Way" (The Official Single)



Here is the first official single "Do It Your Own Way" by Cure Motel in association with Rocawave Records. The electro punk rock/house producer has been touring the single up and down the coasts of NZ and it's officially dropping tonight!!! I really dig this tune it reminds me of if Devo and Gangnam style got all mixed up in a blender and served on ice. 

The song is 100% Kiwi (can I get a hell yeah!!). I'm super stoked to have the PREMIER and will be working hard to get it heard. "Do it" will be available for purchase physically through Bandcamp and digitally via iTunes as part of the first Rocawave compilation. But until then grab a limited time free download and keep rocking New Zealand!!! :) 
TMR

https://www.facebook.com/CureMotel



https://www.facebook.com/RocawaveRecords
https://soundcloud.com/rocawaverecords
Linear Notes:
Cure Motel's debut single "Do It Your Own Way" is an electro punk dance rock anthem.
Darcy Gladwin is the producer/singer/programmer/guitarist/synth player. 
He also managed to pen the lyrics for the single "Do It" in his spare time ;)
Production Credits:
Original demo recorded and mixed by: Darcy Gladwin at Cure Motel Studio
Profesisonal single recorded and Mixed by: Olly Harmer of The Lab studio in Mt Eden.
Mastering engineer: Brian Lucey in the U.S (Black Keys, Arctic Monkeys)
A&R: Moss Bioletti

Wednesday, 8 January 2014

Cure Motel - The Rotten side of Mangawhai Tavern


Auckland based recording artist Cure Motel and his Gonomada Tour were not happy muso's at Mangawhai Tavern this week . On their nationwide tour they thought it would be brilliant to pay their respects to Managwhai Tavern. A famous venue that they were stoked to be performing at. Unfortunately the reality of the venue was a complete illusion.When the tour first stepped into the venue there was a cold atmosphere. The management eventually came out to greet them and then immediately told them they didn't have a P.A. Something that the band was depending on the venue supplying. Something they could have brought but thought they wouldn't need. Despite this significant set-back Cure Motel and DJ Romantech managed to source a sound system from a neighboring venue the Pippi Lounge that were hospitable and warm. 

However, despite acquiring a p.a for the gig Mangawhai tavern management were still throwing spanners in the work. For instance once the band had set-up their guitars, dj players and synths they were told to move right into the corner of the deck. This being at odds with the band who were happy being in the centre of the deck and trying to make the most of a bad situation. The managers then told the acts to turn their speakers up to blistering level. A volume that was potentially ear shattering as the subs on the system were already close to exploding. Apparently Managwahai tavern wanted people who lived in the hills to get excited and come down, never mind the hearing of touring musicians?
After discussing the ordeal with lead singer /producer Darcy Gladwin over the phone he also mentioned a severe shortage of food for the musical acts at the venue. Whether this was because of a bad financial position of the venue was not made apparent. The band were aggressively told to buy food at a restaurant across the road. Grudgingly they were given a staff discount but were made to feel severely awkward about asking for one. 

Withstanding the bad vibes of the Manawhai tavern Cure Motel believed that the worst action taken by the venue predated Gonomada's arrival. This was because the venue had failed to bill the show on any part of the venue. Tour manager Darcy stated to me; "How the hell are people even going to know we are playing unless the venue does some form of promotion, can't they be bothered writing our name on the venue list. We've travelled hundreds of kilometers to share our music with Managawhai. It's been the worse touring experience ever by a country mile in New Zealand! 

The head of management also had the nerve to tell Darcy that she would 'eat him for breakfast" amongst an assortment of disrespectful and threatening snipes. In our conversation about the rotten side of Mangawhai Tavern he summed up the whole debacle as a situation were one is systematically being terrorized by a venue with no compassion. And personally I have to agree with his view point as it really does seem the venue doesn't care about acts that will go on to be high-flyers in the future.


Interface was inspired by my computer and Daft Punk. It was written about an old interface that I thought was broken when in fact it wasn't!
You can follow me on twitter here: @darcygladwin
And connect your interface to mine via: https://www.facebook.com/CureMotel
My debut singles release is imminient and will be coming to a radio station near you!!!
Until then "Do It Your Own Way" 
CM :)

Thursday, 19 December 2013

Brand New Music: Volita Bioletti (The Neos) & These Violent Delights - Limited Run almost Sold Out!!!




Writer: Moss Rock
I trooped off to the show-case of "Volita Bioletti & These Violent Delights" this Thursday at 
Whangaparaoa. Our hosts Reggie and James Cameron of (Coast Open mic night) were lovely
as always and the Belly dancers were amazing!!! It was a great night all round and awesome
to see the accumulation of Volita's hard-work producing the record for the Auckland veteran
rockers TVD.

In my opinion the performance reeked of 90's alt-rock with a distinctly British flavour. 
And my stand out track of the night was "Underground". I absolutely loved this track. 
I talked to co-producer and talented multi-instrumentalist AJ of TVD and he also thinks
that song is a keeper!! I am almost certain my favourite song on the night could be the
front runner for the lead single off the record.
Time will tell as the official release will be out early 2014. However, there are so many
strong songs it really will be hard to choose.

I pressed up a limited run off 30 pre-release cd's for the event and only have 5 left. 

If any rockers in the building want a copy of the "Volita Bioletti &
 These Violent Delights" (Pre-release) feel free to email: Rocawaverecords@gmail.com 
for your copy. It's on sale for $5 plus postage and all proceeds go towards band activities
(gotta love those activities :) The cd would definitely make a fine present for an avid Neos
 fan, especially if its a surprise! and its not available any where Digitally!!!



The songs featured on the record are:


1) My Violent Delight        (Full on Rock Song)
2) Ophelia                          (Alternative Rock song - The fan favourite)
3) Take Me Out Tonight    (Classic Kiwi Rock song)

There are a lot of guitars on this record so turn it up loud and Rock On!!!! Neos